June 10, 2026
CXXIII — Luuk Walschot
Luuk Walschot is an Amsterdam-based director and photographer working across art films, commercials, music videos, and fiction projects.

Below are Luuk’s SELECTS:

Here is a small, top-of-mind selection of fiction films that inspired me. Ask me again in a minute and I’d probably give you an equally great list of entirely different films. For this exercise I limited myself to feature films, otherwise the abundance of choices would become completely unmanageable.

To me, cinema is first and foremost a visual medium. I’m drawn to filmmakers who master visual language – not just through lighting, production design, and costume, but through movement, composition, blocking, and the relationship between camera and character. In these films, every frame feels intentional, guiding what the audience sees, feels, and experiences.

Free tip: Cancel Prime, HBO, and Netflix and go full-on pretentious with a subscription to the Criterion Channel. It stands out in the sea of st(r)eaming diarrhea out there today. The hit rate is ridiculously high for finding films that genuinely move you. Most of the themes we think of as modern have existed throughout history. The only difference is that filmcraft mattered more and corporate interests mattered less.

Film
Beau Travail by Claire Denis
1999

A violently tender film that barely needs words to tell its story.

Film
12 Angry Men by Sidney Lumet
1957

If you have something interesting to say, you only need one location. A film that reveals how perception is shaped by personal experience.

Film
I Am Cuba by Mikhail Kalatozov
1964

The sheer collective effort behind these shots made me cry.

Film
High and Low by Akira Kurosawa
1967

Big themes packed in an insanely well crafted film. Kurosawa’s films are immensely well thought through in terms of composition and blocking. Huge inspiration.

Film
Down by Law by Jim Jarmusch
1986

Every time I watch a Jim Jarmusch film, I feel I could peacefully die. The way he creates order within chaos is sheer magic. Words fall short.

Film
The Big Country by William Wyler
1958

Two men fighting to prove their toughness, framed against a landscape so vast it makes the entire exercise seem absurd. Few films have made me feel the triviality of pride so clearly.

Film
The Best of Youth: Part 2 by Marco Tullio Giordana
2004

A deeply human chronicle of how personal choices, love, politics, and history shape an entire generation.

Film
Holy Motors by Leos Carax
2012

A film that leaves you speechless, yet full of joy and lust for life.

Film
Snatch by Guy Ritchie
2000

The film is endlessly entertaining, but what truly inspires me is the joy visible behind the scenes. It reminds me that filmmaking, at its best, is a collective act of play.


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