May 19, 2025
LXXXIV — Ayappa
Ayappa KM is a writer and director living in Goa, India.

Below are Ayappa’s SELECTS:

Music Video
‘Around The World’ Daft Punk by Michel Gondry
1997

It felt like a scientific discovery to a 19 year old me when I realised that each set of dancers were moving to a specific instrument layer in the song. The synaesthetic alchemy of video and music have since been inseparable for me.

Film
A Clockwork Orange by Stanley Kubrick
1972

Kubrick’s unsettling meditation on evil, and Wendy Carlos’s eerie, unfamiliar synth textures make this my favourite film. I love all of Kubrick’s movies. Perfect blends of story and craft, none outdoing the other. There is no other genre-hopping perfectionist like him.

Short Film
Les Maîtres Fous (The Mad Masters) by Jean Rouch
1955

Nigeriens dance and pageant around as they get “possessed” by their British colonial administrators. This controversial documentary ended by offending both colonisers and the colonised. Sometimes, the most powerful direction is none at all.

Documentary
Baraka by Ron Fricke
1992

There was a scene in ‘Baraka’ where they cut from a shot of chicken in a crowded factory-line, to humans packed like sardines in a metro train. I remember deciding at that precise moment that I wanted to make films.

Film
Om-Dar-B-Dar by Kamal Swaroop
1988

In a country where cinema is predominantly a business commodity, it’s so refreshing to see a left-of-centre oddity like this toss every convention out the window—and yet stay completely watchable. Nothing makes sense, and somehow, everything does.

Film
Withnail and I by Bruce Robinson
1987

Richard E Grant’s portrayal of a booze soaked actor is so convincing, I felt cheated when I got to know he’s a teetotaler in real life. A cult dark humor classic that gets funnier with every watch. “The best tailoring you’ve ever seen is above your f**king appendix.”

Campaign
‘Surfer’ Guinness by Jonathan Glazer
1999

This seminal spot blurs the line between art and advertising, even 25 years later. I remember Glazer admitting he wasn’t sure the CG horses would work. When you’re trying to break new ground, there are no guarantees — only conviction.

Film
Aguirre, the Wrath of God by Werner Herzog
1972

The opening shot of the mountains with Popol Vuh’s haunting soundtrack is cinema magic. And Aguirre spiralling into madness, counterpointed by the lush but unforgiving Amazonian jungle. It reminds me of Herzog’s line from Burden of Dreams: ‘The birds don’t sing, they screech in pain.’

Documentary
Decasia by Bill Morrison
2002

Old, degraded film stock distorts the original visuals, turning defects into effects and creating surreal beauty.

PEOPLE IN THIS ARTICLE
Jean Rouch
Mentioned
Ron Fricke
Mentioned
Kamal Swaroop
Mentioned
Bruce Robinson
Mentioned
Bill Morrison
Mentioned