April 14, 2025
LXXX — Aymane Alhamid
Aymane Alhamid is a French-Comorian director based in Paris.

Below are Aymane’s SELECTS:

Film
My Uncle by Jacques Tati
1959

That house — surreal but tangible. No FX, no tricks, just design pushing reality off balance. It showed me how far you can go visually without leaving the real world. The stillness, the geometry — just like ‘The Grand Budapest Hotel’ by Wes Anderson, for example. It taught me that a film doesn’t need motion to move you.

Film
The Lovers on the Bridge by Leos Carax
1992

Emotion in its rawest form. Love so intense it eats you alive — no heroes, no villains. I’m drawn to those moments where pain and beauty collide, like the crushed foot with no reaction, or two souls drifting on a burning bridge during a celebration Day. Pure poetry in chaos.

Sports
Catalunya GP: Rossi vs Lorenzo by Dorna Sports
2009

I’m a huge fan of motorsport, not just for the speed but for how it’s filmed. That dance between still frames and tracking shots — it’s pure rhythm. This race felt like cinema: precise, intense, and beautifully choreographed. I try to bring that same energy into my work.

Music Video
‘Say My Name’ Destiny’s Child by Joseph Kahn
1999

Proof that simplicity hits hardest when it’s well-executed. The color-blocked rooms, the switch between close-ups and wides — it’s playful, graphic, unforgettable. It taught me that bold ideas don’t need to be complex to feel massive.

Film
The Green Mile by Frank Darabont
2000

This film taught me the power of casting — real faces, real presence, each role unforgettable. But more than that, it showed me the beauty of defying expectations. The emotion hits harder when it’s not where you expect it.

Documentary
Jeen-yuhs: A Kanye Trilogy by Coodie & Chike Ozah
2022

Watching success unfold is always inspiring. Kanye’s early drive resonated with me — his mentality felt close, that feeling of being on the verge of something big. He took risks, and so do I. If you want something big, you’ve got to step into the unknown.

Music Video
‘Stress’ Justice by Romain Gavras
2007

This video shocked France, but it’s exactly how the wealthy here would see us — kids from the projects, just trying to make it into the city. It taught me that I shouldn’t shy away from making my work uncomfortable, as long as I’m true to it. Disruption can be powerful when it comes from a place of authenticity.

Campaign
Pièces Uniques SS20 by Bilal El Kadhi
2020

This came at the perfect time, I was just starting to look at directing, and there was something raw yet refined about it. It wasn’t flashy, just sharp. Honest. It made directing feel within reach, like it was all about timing and the right people. It doesn’t align with my current vision, but back then, it lit a spark.

Music Video
‘Iron Sky’ Paolo Nutini by Daniel Wolfe
2014

One of my all-time favorite music videos. It’s raw, emotional, and deeply artistic — almost like a documentary with a soundtrack. The encyclopedic imagery and each striking scene hit you hard, leaving a lasting impression. It’s a perfect blend of storytelling and visual power.

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